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Fil de presse Charles Carson

17-05-2018   Charles Carson
Wine of France, Tribute to Charles Carson - Bourgogne Hautes-Côtes-de-Nuits, Chardonnay 2016
Média: Autres
Nom: Domaine Nudant, France
17-04-2018   Charles Carson
Charles CARSON a la cote chez DROUOT alors que ses prix bondissent aux enchères.
Média: Brochure
Nom: Drouot, Paris
12-04-2018   Charles Carson
INVESTIR DANS LES ŒUVRES D’ART.
Média: Autres
Nom: AGENCE ARTACADEMIE
29-11-2015   Charles Carson
Carson, l'irrésistible appel de la création
Média: Journal
Nom: Le Nord
09-11-2015   Charles Carson
ART NEWS, NEW YORK, NY - GRAND MASTER CHARLES CARSON - HONORING HERO OF CREATIVITY
Média: Magazine
Nom: FINE ART MAGAZINE, SINCE 1975 - New York, NY
Description:

November 9th, 2015

ART NEWS, NEW YORK, NY -FINE ART MAGAZINE, SINCE 1975

GRAND MASTER CHARLES CARSON - HONORING HERO OF CREATIVITY

By Victor Forbes

"As Hemingway developed a new style of writing that is oft-imitated, never attained, Carson has created a new way of painting that takes a similar heightened position in the mainstream of contemporary art, a form that is universally accessible but impossible to be duplicated by another. A language all his own forever to be known as ‘’Carsonism.’’

VIEWING A CHARLES CARSON painting is akin to reading a Hemingway short story. A Clean, Well-Lighted Place comes to mind. Both are exquisitely sparse, expertly rendered. Immersed in a collection of Carsons in a gallery or museum is like having a full-length novel unfold right before your eyes. Indeed, the artist himself notes, “My painting is a spontaneous projection of that which I feel. I stand before my canvas like an author before his blank page.” Hemingway, of course, is an undisputed giant of literature while Carson is peaking in mid-career success. The legendary author is known, perhaps to his detriment, as a “man’s man” and the artist, in his way fits that mold. He is strong and confident, succinct in his manner on canvas and in person. Dedicated to his cause, he spares no effort to manifest brilliance in every brush stroke, describing his energy as emerging from an “unexplainable force, trance-like”, that causes one to surpass limitations. As Hemingway developed a new style of writing that is oft-imitated, never attained, Carson has created a new way of painting that takes a similar heightened position in the mainstream of contemporary art, a form that is universally accessible but impossible to be duplicated by another. A language all his own forever to be known as “Carsonism.”

Hemingway captured the popular imagination with a revolutionary sentence structure, almost militaristic in cadence, that somehow translated into stories of great emotional depth blending despair with valor, hopelessness with redemption, and great love with great loss. It is certainly a valid comparison to put these two side-by-side for indeed Carson is an undisputed master, a Maestro of his own form. An originator of a visual lingo that knows no bounds, the compositions soar as his spirit allows. Creativity flies, moving ever-onward, staving off unholy forces. Carson’s paintings strive for perfection like Hemingway’s sentences. There’s not a wasted word nor a misplaced droplet of color. Who paints like this today? Theoretically, it doesn’t matter. Not to Carson because he invented his own very specific mode of expression which involves a very personal creativity. His great gift requires great discipline. Putting the time in, often in solitude, expending the greater part of a 24-hour day painting. However, if science could shine a microscope into a person’s mind and examine his make-up, Carson would outshine many.

In the annals of art history, Carson certainly claims a portion of attention. “Nothing,” he says, “can resist the human will. Man must explore all facets of his freedom. The forces within us are instruments of overachievement.” The will to be one with the world, to belong to the stars and to the grains of sand came to him in the same breath. “The mountains, rivers and oceans, all that make up our universe are sacred places more precious than a golden altar.”

The origins of Carson’s style were formulated in the interior of the Catholic churches he visited as a boy. Whether situated in a rich parish or a modest village, the buildings were reflections of baroque tastes dictated by centuries of religious architecture. “It was required,” notes the artist, “that the House of God be the shiniest and most sumptuous of all.”

This decor provided Carson’s first aesthetic feelings and discoveries. These edifices of stone and glass planted the seed of a dream, of a vision of beauty. Where else could a young boy view the transformed light of the sparkling stained glass windows or admire the amazing talent of the artists who sculpted the statutes and painted the images of the Way of the Cross? For Carson, even Sacred music has often consecrated artistic vocations. Silence and contemplation played a subliminal role in creating strong, lasting images.

“As a young child, I attended the religious ceremonies. I observed everything—the “trompe-l’oeil” paintings, the priestly garments embroidered in gold, the gathered crowds. I recall these things to this day with emotion. I was already under their spell when I passed through the heavy church doors. I had a precocious awareness of symbols – dipping my index finger in the fountain made me feel pure and legitimized. For what purpose you may ask? To enter a sumptuous treasure trove. To feast my eyes on everything shiny, the dancing flame of the lanterns, the candelabras. Mingled with the odor of melting wax from the candles, floating in the air, the scent of incense…”

Depending on the hour of day, the light from the exterior would bounce off the plaster saints, bringing their glass eyes to life. The angels of the stained glass windows would become animated. He was transported to another world. “Obviously, only today can I measure the impact these events had on my imagination, in a sublimated and softened memory.”

It is these memories that have served as the basis to create a new style — a completely new pictorial language — that makes an appearance on the scale of artistic values in a way that has nothing to do with the current directions, genres or styles that are mostly found in today’s or any day’s art market. Born in Montreal in 1957, Charles Carson has been devoting himself entirely to his art since 1983. Over the years he has participated in numerous exhibitions in Canada, the United States, Europe, Asia and South America. At the age of 33, Charles made his own discovery of Latin America and lived in Columbia for nearly 10 years. Here he produced extraordinary and exotic works, yet he always retained his sensitivity, depth and vivacity, as well as the dynamic range and variety of composition. Yet his paintings still hint at the winters of his youth — those gray storm-clouds that visit his works and give them a striking three-dimensional feel. “Although born in Montreal, I spent many years living in remote country settings where.

“Today I am no longer preoccupied by the foibles of life. To the contrary, I allow myself to go with the flow and to let my imagination run free. It is the best way to face life.”

I pursued my chromatic search before moving to South America. I wanted to live new experiences, artistically as well as culturally. I developed a passion for skin-diving and gained artistic inspiration from scenes on the ocean floor, from the multitude and variety of colors to the cathedral light produced by the sun piercing the ocean surface. One day, I nearly lost my life during a skin-diving expedition. The whirlpool that nearly swept me away did not affect my love for open water.”

Be it the roar of an ocean or the flow of a river, the excitement of the potential danger manifested in broad strokes of the pallet knife, in blue sheaves and successive waves, to form the pictorial theme of a marine scene in the Carsonism or mosaic movement.

Influenced through his admiration of van Gogh, Cézanne and Turner, at thirty-three, Carson spent time in Latin America where the spirit of inspiration gleaned from Columbian and other landscapes led him to a new personal era of expression through his imagery. Carson made a name for himself there, where he held numerous exhibitions and developed an amicable relationship with Fernando Botero. While many native artists left for Europe and America in search of fame and fortune, Carson found international recognition from his stay in South America. The influence the painters, topography and people of Colombia exerted upon the young Carson, and the vibrant and ancient culture that he absorbed, is evident in much of his work today.

In recognition of his contribution, a life-size statue of the artist in bronze has been on view in a major Cartagena public building since 1997. He also created a monumental mural entitled El Caballo del Mar for the main hall of Cartagena’s principal airport, and he executed another mural entitled Yo hice lo que tu querias for the Church in Santo Domingo (a renowned Heritage Monument).

Carson’s travels were the impetus for his deep feelings regarding the social and ecological problems of today’s societies. His fascination with and love of nature occupies a primary place in his creations. A major turning point in his work were tropical scenes combining colors usually associated with a Caribbean sunset.From this starting point, he produces even greater depth and power than would seem conceivable from the paint. What technique manages to get such verve from color, and yet such detail? Again, it can only be described as “Carsonism.”

There is one constant in all of the analyses and for each of the experts and art historians and it is this: Carson’s work generates energy, an unparalleled “joie de vivre” which is reflected in a mastery of forms and transparency of colors.

His physical control is always evident and he paints in bold strokes of incredibly vibrant color yet with a delicacy and intimacy that touches an emotional chord in the viewer. The making one of the strength and softness is the basis of the resultant beauty. This masterful technique has gained the artist a legion of collectors and admirers internationally and his works are sought after by serious collectors around the world.

What is especially interesting and exciting about Carsonism is the fact that he was determined from the onset to contain his desire to be recognized as an exhibiting artist until he was  confident that his body of work — from the very beginning — would be unique in a world where imitation, appropriation and other flattering forms of self-indulgence were and still are rampant. Carson’s approach was like that of a monk, or a martial artist in training who would not come out to do battle until totally confident that the results would end in victory. Of course, there are no guarantees in this life of anything, yet Carson took that leap of faith, based upon years of study, trial and error and inspiration.

Early in his career, the artist employed traditional techniques, gaining inspiration from his environment. His early figurative works left him unsatisfied and he started to lean towards a semi-figurative and extremely personal style of painting. This technique, along with his unique pictorial language rapidly affirmed themselves and his talent was revealed with each new creation.

The artist produces extraordinary works that exhibit sensitivity, depth and liveliness, as well as dynamism and variety of composition that characterize his work. “From an early age, I was in search of other sources of inspiration. I was born with a personality that was exuberant, imaginative and inventive. My inherent curiosity instilled in me the desire to delve beyond a simple explanation of how something worked. My persistence helped me to find answers to many questions – not necessarily the best answers or those that were for my own good.

Carson’s imagination led him to a sense of a place beyond, higher, farther, deeper. He was seeking out a unique destiny with other universes to discover. Hence his fascination with the underwater life, so evident in many of his paintings and other universes perhaps yet to be discovered. His goal was to create a life for himself as an artist that was not subject to anyone’s authority. Refusing to follow a predetermined path, he greatly preferred the unknown.

In international art exhibitions, Carson’s work stands alone. His stalls are sanctuaries in which he and the viewers can escape to a tranquil place, inhabited with a realistic presence of the aforementioned storm clouds but marked with a placidity, a bouquet if you will of sweetness and softness. The flowers, the fish and the birds are created with a power reflected the divinity of their creation, represented by an artist who considers it his right to transform a concrete image of the eye into something different guided by his innate sensitivity and an artistic gift that allows him to incorporate into his works personal feelings, to share his universe of color, dreams, thoughts and emotions.

Carson says, “The art of painting is to forget the subject matter; it no longer exists, relegated to the shadows, lights and reflections of color.” van Gogh may have said the same thing. They both take the reality of a scene and transform it into their own very specific concoction that somehow, when put together, is a coherent, emotional and brilliant force. Watching Carson at work is like watching a tiger in his natural habitat. Stalking his prey, the artist is firm in his quest. The quest being perfection, that is to make something, lterally out of nothing that has an impact on one’s emotions and beyond that, to get the world to recognize his creations as valuable entities in the continuum of art history. It may be legitimately asked, how many artists are so instantly recognizeable that critics had to come up with a name, i.e. a school of thought even, for the produced work. That Carsonism has caught on is not just a freak show or the work of a great publicist. The fact is he has taken all the schools that have come before him, blended them into his subconscious and developed his art form.

Carson is far from one-dimensional and a follower of no one. He would not exhibit a single painting until he was certain he had created an approach that could only be attributed to him. It came after years of contemplation, hours of experimentation and decades of polishing a format that came to be known as Carsonism. How many artists are so attached to a style that the world recognizes it by the artist’s own name? Was there an artist named Impression? Or Modern? No. Carson created his style, his language and whether it was because he was ostracized in gym class for lack of athletic ability, or because his family didn’t send him to a fine art finishing school, or whatever the reason, Carson put himself in front of that blank canvas, or whatever else he was working on, and made it resonate with his own words. It’s a language we all can understand, no matter the country of our origin and it is a lot easier to communicate internationally in this manner

Carson a discovery … “Carsonism”, 1992

“In my capacity as art expert and historian, it has given me great pleasure to examine a significant quantity of the artist’s paintings. I was struck by their freshness, dynamism and rhythm — the freshness and vivacity of the palette, the dynamism and diversity of the compositions, the rhythm that animates each segment of his paintings, much like the best jazz piece whose sense of improvisation opens up the instinctive structure of the melody and animates it with its syncopated syntax. If one prefers, it can be compared to a Scarlatti sonata or a Vivaldi concerto whose variations and modulations define the structure and subtlety of the piece.”

Carson gives his paintings a depth that makes the best demonstrations of perspective pale in comparison… none of contemporary art’s well known “isms” seem appropriate and I must resign myself (with great satisfaction I might add) to naming this new movement: CARSONISM !”

“Hero of Creativity” – Let the next writer come up with a better catch phrase, for now that is a standard they have to top.

What Carson has done is invent an approach to life that is that of a warrior wielding a paintbrush for a sword, A ninja in paint. His mannerisms are disciplined. There is no waste or obfuscation. Everything is crystalline. Shining, bright and brilliant, even in the way he operates the front end of his business, travels to exhibits, sets them up, prepares the wall space of an exposition so that every inch is maximized. He is not going down without a fight and every aspect of his creativity is measured.

Hemingway’s sentences are short and sweet. Could he write like Fitzgerald or Faulkner or Steinbeck? Maybe. Pollock could draw. He could render so that when a fool looks at a drip masterpiece and says, “My kid could do that,” well maybe. But he certainly couldn’t knock out a realistic charcoal passable sketch which gave Pollock credibility with the so-called cognoscenti.

Therefore one might ask, could Carson create in another manner? Maybe is the an­swer again. But it is clear he never wanted to be anything other than an original. What is true about Carson and many other great artists is that they put the time in, often in the deepest of solitudes, to accomplish their vision. This is the part that is most daunt­ing for a human being. Have you read that the author of numerous best-sellers, Harold Robbins, with all the money he needed, had one room painted in his home totally black, with only a desk, typewriter and single pointed spotlight attached from the ceiling to shine over his shoulder onto the matter at hand, in his case words on paper? Carson’s fierce spirit of determination and invention is akin to this. Even the small paintings—not to be confused with a minor work because none of Carson’s work can be deemed mi­nor — contribute to the thematic line of his vision. The point may be not only to create a new language, but to say something in it by taking the alphabetical fragmentation of each word and making them into a coherent statement of power. An artist uses various tools to perform such a task and Carson’s experiments (successes and failures) with glass and kilns and explosions and his years of sitting in Catholic churches as a youth in rich and poor parishes of his native Quebec and being enthralled by the imagery and refractions of light on and through the glass are well-documented.

It is an artistic and creative fact of life that Carson goes about his work with a precision that is almost unfathomable.

Carsonism came about through his adaptation of the aforementioned media into application by brush on canvas. Not since Pousette-Dart has anyone done this with such power and coherence. While Pousette-Dart built his paintings up with oil, sometimes over the course of 30 years, and created embryonic universes within and without the rules of art — brilliant universes of revolving natural forms that from a distance as well as from up-close reveal secrets of creation unknown to most mortal men — Carson, in devising his approach, takes a similar path to a similar result with a voice all his own. In addition to his soulful work, what I loved best about Pousette-Dart comes from a story his wife Evelyn related just before his one man show at New York’s Metropolitan Museum of Art.

“Richard told the curator that if his banner outside was one inch smaller than Picasso’s, they could forget about the show.

How did you grow into becoming an artist?

I did not attend a fine arts school despite my desire to do so. Neither my family nor social environment fostered such pursuits.

Regardless, this did not inhibit my perpetual search for a pictorial language.

The “still life” paintings that I was working at during this time were academic exercises. The subject matter was of little importance. These studies allowed me to explore space and depth, two elements that would be crucial to my future work.

I was also doing glass etching with a diamond tip. By superimposing layers of glass, I produced the three dimensional effect that I was looking for. I experimented with various processes, including: collage, copper, paint and grass. The inspiration came from my discoveryof the magnificent Lalique crystal in Europe.

Although this creative technique was received positively, I was not through searching. I continued to perfect my technique for juxtaposing colors, using acrylic to create vivid abstract forms. On a linen canvas, I spread pieces of colored glass, complemented by strokes of acrylic to create an impression of haut-relief. Then, to make the colors explode, I highlighted them with an ultra bright lacquer. I was fascinated and seduced by the art of the master glassmakers of Murano and to emulate their artistry, I heated huge, multi-level ceramic ovens, created moulds and inserted my glazed pieces at a temperature of 2,000 to 3,000 degrees.

What kind of artist tools did you employ?

I desperately wanted to reproduce with paint, the textures, forms and transparency of stained glass windows. I used oils, acrylics, pastels and charcoals in my artistic process. All recovery areas served to advance my experimentations for adherence and durability.

I spared no effort during these years of experimentation with special effects and contemporary art. I would drop bags of paint from the roof of the house and rush to see the splatters they created on the sidewalk! Or I would use a drill to spin a panel I had coated with different colors of acrylic paint. Not to mention the balloon filled with paint that I would burst over a canvas… I even used an old bicycle wheel to spread colors on a canvas to see the effect it produced.

Once, I nearly burned my house down experimenting with a special lacquer. This misadventure brings a smile today. I learned that paint and fire do not make good partners. In my efforts to recreate the “Murano effect”, the wooden roof of my studio as well as the work in progress were reduced to ashes.

This incident, as is often the case with fortuitous scientific experiments, allowed me to perfect a mixture of glass and epoxy finished with a blowtorch.

I lost count of the number of plaster moulds that were sacrificed for the cause. Not to mention the kilos of glass tiles used during the mosaic experiments. Since those days, I have used an acrylic paint that is more malleable for the textures, dries more quickly and allows for multiple layering of color. My first subjects were bouquets of flowers, done in an abstract style.

For me, the message necessarily had to be communicated with the proper tools. I strove to find a language that was personal.

It was both a quest and a challenge.

MOSAIC MOVEMENT

“Charles Carson’s painting is divided into two approaches which are both distinct and complimentary. One was even named Carsonism by some art critics and historians. This approach is not easy to describe, but generally speaking it is composed of an infinite succession of slightly oblique strokes which, on the surface, add maximum energy to our perception of theme and subject, with the whole being animated through subtle transparencies which are quite sensational, creating an impression of depth and color. It’s like an incessant flow of particles — all the same size — which sweep the paint with fascinating, even disconcerting regularity. Carson’s second approach is simply that of mosaic. As its name suggests, we find a fragmentation of form and surface characteristic of the mosaic style. In both instances the artist endows the surface of his canvasses with great energy, creating an altered state in which his powerfully metaphorical universe is expressed.”

While nowhere nearly as famous or collected as Picasso, at the recent Armory art fair, the Poussette-Dart’s were flying off his gallery’s wall at about $400k for a 30” x 40”. Mid-show, I heard the dealer call Evelyn asking for more.

That, say more than a few scholars and critics, is how it will be for Carson. He is young enough to attain that level; also skilled enough and also original enough. He’s going to France for three years to concentrate on making museum pieces and they will have to think hard to come up with better a headline than this: “Carson to the ism” and “Hero of Creativity.” Let the next writer come up with a better catch phrase, for now that is a standard they have to top.

Whether fighting off the gym class bullies or working his way out of a cylindrical spout of water in which he almost drowned, Carson’s paintings show a power that opts for life. In the Carsonism pieces, he recreates natural scenes with deconstructionist vengeance, the three dimensionality of his minute dollops of sculpted paint surround the spaces, fill the emptiness. That’s Carson to the ism. Clean, well-lit. Fully functional but esoteric.

“Oh, there’s a bird amidst all that,” a viewer would note. Or a fish. Or a reflection from light cascading to the depths of the sea or a natural burst of energy from a trip up the Amazon. Carson has been there and done that and the main thing is that he gives these scenes, these segments, these minute conglomerations of acrylic a glazed energy so that when they are combined into one unit you see exactly what he wants you to see. The veil is opened, but the real question is: “to what?”

That’s where the art critics come in. They know and they have seen. Carson isn’t saying. It was more than enough for him to invent this style and then to top it off with what he calls the “Mosaic Movement.” This is a whole other field of dreams, but if you could chop off a bunch of square inches on a mosaic and drop it into a canvas of Carsonism, they would work together. Blend somehow in unity. After all, wasn’t it the American poet/philosopher Eli Siegel, founder of Aesthetic Realism, who was famous for his statement, “Beauty is the making one of opposites.”?

Yes, it is an artistic and creative fact of life that Carson goes about his work with a precision that is almost unfathomable. Look at a masterwork by Vasarely. A modern viewer could not imagine anything being executed like that without the help of a computer generated graphic. Carson’s pieces are puzzles that come together as a triune entity of paintbrush, palette and painter as One and they must become as one integrated into the format necessary to produce masterful depictions of whatever the artist envisions. They work as if a Sumi-e drawing because Carson makes no sketches, no pre-conceived notions. Just step up the plate and hit the ball out of the park.

As successful as he is, there is a hunger to Carson that seems to be unquenchable. An insatiable thirst to do more, to do better, to be the standard by which all other artists are measured.

In this world, there is a train to glory and Carson is a passenger, riding close to the front. John Dunne made this statement for eternity: “No man is an island” and that’s for sure. “It matters not for whom the bell tolls, it tolls for thee.” Carson sees this and his stance as an artist of great individuality is tempered by his compassion for the earth and his fellow man. His paintings are manifestations of his thoughts and deeds, his hopes for a better world, a just world, a beautiful world of peace and harmony. Knowing this about him further fuels our interest in his creative vortex — a whirling mass of sensibility and sensitivity to not only God’s love but our obligation to our Creator to return favors granted. This is the meaning of the creative life in which we strive for greatness, recognition, riches and fame (of course) but in doing so, seek to bring mankind along with us. It’s a long train running, this train for glory, and the sensitive ones are prone to fall by the wayside. Carson tempers his passion with great control, seemingly, in his work and this may just be the key to unlocking the magic in his imagery and in his reason for being. Getting his message out to as many as possible is a motivating force in his life at this time and recognition from the media and an ever-growing group of collectors fuels this. Carson is building a legend and could that be said about you and me? And if not, why not? If Carson could do this, why can’t any of us? and that seems to be what he is telling us in a language we can understand: the language of creativity. We are all born with certain gifts and it is up to us to discover and exploit them. Carson’s placid demeanor houses a fury inside which must come to the forefront. Fortunately for him, and us, it does. Whether he will go down in the annals as the great master many think he is, time will tell. One thinks that if a Carson is placed side by side with any contemporary or even historic work of art, the Carson will rise to the top, in much the same way that musicians can be compared, or ballplayers or even journalists. What it all comes down to in the end is how deeply we are committed to developing and perfecting the kernel of greatness that resides inside us all. How often we miss the mark and come up short, whether in art or life, and how often must we push ourselves, pick ourselves up dust ourselves off and start all over again? As often as it takes, say the great ones. Therefore in this period of time, it is a great to be alive while Charles Carson walks the earth and paints his paintings.

Strong and calm, he leads us on a straight and narrow path to our pre-ordained destiny. After all, we weren’t born here to be mediocre, were we? The pursuit of greatness is open to all. The force of real love is the fuel, combined with talent innate, that gets us where we have to go, less we fall by the wayside and have to come back and do it again.

My first inspirations for the Carsonisme and mosaic movements came from Quebec. The stained glass windows of our many churches as well as the color and transparency of the province’s spectacular autumn scenes fascinated me. The image of autumn leaves reflecting in the river culminated in the mosaic movement.

In my younger years, I was fascinated by sunligh-t shining through stained glass windows. This image has always had a hold of my imagination which probably explains why I have always sought to replicate this transparency and luminosity and to create the effect of light coming from behind the canvas. Both the Carsonism and mosaic movements are reflections of water in motion.”

 — Charles Carson

 “To be able to know such an artist during his lifetime is extremely rewarding.”
Victor Forbes at the Carson New York City exibition

When Carson meets his maker, it is certain he will be told, “Well done…You have been faithful over a little; I shall set you over much; enter the joy of your Lord.”

Carson says he has learned much in his 55 years on this earth. I have learned much simply by observing him, his actions, his work ethic and the response to it. While I have many objects of art in my environment, the Carson stands out as a champion. Not for its size, but for its power. It is a conglomeration of everything the man represents: legitimacy, attention to detail, the yin of softness and the yang of accountability. A light emanates from it. Herein lies the secret to human happiness: get it done and get it done right. There’s a serenity, as if feng shu-ing life from the inside out.

Carson makes a case that we can have it all. Teaching by example deep wisdom, Carson’s paintings simplify dichotomies, pinpointing pathways to understanding, what the yogis call self-realization. Hendrix said, “Love can be found anywhere, even in a guitar.” Carson seems to be saying it can be found in a simple brushstroke, a collection of which brings thought to life, a triumph of good over evil. Of mind over matter. Of gain over loss. Thankfully, we have on earth, in our midst, in these pages, a representative of the power of a still, small voice speaking to us amidst the storm. With an artist like Carson at work, it is indeed a good time to be alive, if for no other reason than to see what will be his next creative invention.

Victor Forbes is Editor-in-Chief and co-founder of Fine Art Magazine, published continuously from New York since 1975

“I deeply wanted to develop an original method of painting because I find it trite to simply paint what the eye sees. This led to attempts to dematerialize landscapes into more abstract and figurative forms. I am flattered that many … have analyzed my pictorial language and commented on its uniqueness and originality.” – CHARLES CARSON

Charles Carson: A Grand Master 

Over 40 years of publishing an art and cultural magazine, we have had the privilege of meeting so many gifted people over this long a period of time. Can you imagine what it would be like if people didn’t have art? It would be a terrible plight. It’s a great honor to be involved with people in the arts. Some artists have risen to great acclaim and importance while others fall by the wayside, but the intrinsic stories of the artists are pretty much the same. Each brings his or her own need to communicate to the viewer through a window they open to their soul to express something deeply personal to the next level. I saw that the paintings of Charles Carson have a unique language. Initially, it was difficult to discern what the abstracts were telling me. Now I understand them very well. The language of the more Impressionistic pieces — the dreamscapes — I felt was very unique with the color usage and balance. The florals and seascapes invite you into the space to taste the colors. You are part of the process of whatever this moment is that the artist is describing. You are welcomed into the imagination of the process, which is far deeper than a mere snapshot. Here you will find the inspiration and mystique involving the colors combined with the rendering of the line: defined and united, yet singular in their presence, made all the more powerful by their coalescence and shared space which not only enrich the composition, but enable the viewer to comprehend the essence of the artists’ vision.

The application and creation of the form is married to the colors so that the composition becomes very free, very available for people to enter into. The quality, the union — the synergy — brings success as the artistic statement is there and quite inspiring. Researching, reflecting and understanding, I could see that Charles has a great drive, capacity and great enthusiasm for the art. The level of his painterly energy carries the artistic statement through, bringing it to life and making it readily understandable. His colors serve the message even as the message serves the color. Carson, through his unique approach and visual language, lets people know immediately through the finished product what is that piece of the dream, that metaphor he is describing — his alphabet, as it were. When you do this successfully, you instantly have the viewer, if not you lose them.

My initial foray into writing about Carson’s art was like a food for me. Describing Carson’s experience and offering it to people to enjoy was and continues to be, incredibly satisfying. Energetically, when viewing his work, Kandinsky, Mondrian, Picasso and van Gogh come to mind. Although one could say that there are those influences, Carson has a great respect for any artistic process that is authentic, that it is important to avoid ephemeral fashions and trends.

Why Carson? He has a tempo. You can’t just paint and extrapolate unless you know form. You have to be able to paint in order to extrapolate as if the light is coming through so he applies the paint with a structure and energy that results in an almost kinetic activity in a stationery work of art. The form that results through this enhanced application of color is obviously from his subconscious yet well-studied intent. His vision allows him to step between the spaces and resultant colors not only emerge, but they vibrate. As one form transitions from dream to reality and reality to dream and the abstract in-between, Carson manages to keep the transparency and the colors incredibly clean, which is rare. They are built, they have definition and there is a certain texture to the resultant paintings that is complex to arrive at. This combination of harmony and tempo is very complex and difficult to arrive at yet, via his painterly process, Carsonism emerges and it is unlike any other school of thought to date. He set out to be singular, to use the standard materials as no one before him has and he has succeeded. There are elements of this work that I have not seen elsewhere nor have I seen this technique done elsewhere. He is the only one in the world doing this style. Founding a process, a language and an artistic technique all his own, Carson is well on his way to taking his place among the great artists of the era.


Lien: http://www.fineartmagazine.com/

01-08-2015   Charles Carson
MULTI DICTIONNAIRE DE LA LANGUE FRANÇAISE / CARSONISME n.m. Technique picturale créée par le peintre québécois Charles Carson. Le carsonisme se caractérise par ...
Média: Autres
Nom: MULTI DICTIONNAIRE DE LA LANGUE FRANÇAISE
10-06-2015   Charles Carson
PARIS 2015 - Maître Charles Carson, Invité d'honneur XII - SALON INTERNATIONAL DES MATIÈRES PREMIÈRES POUR LA PARFUMERIE, PARIS
Média: Autres
Nom: Société Françcaise des Parfumeurs
22-02-2015   Charles Carson
PRIX "NELSON MANDELA" Prix de la paix et de la Liberté. L’Artiste canadien Charles CARSON, grand maître en beaux-arts, a reçu le grand le prix de reconnaissance en Italie...
Média: Journal
Nom: Association Culturelle Italia Arte
22-02-2015   Charles Carson
MIAMI, Michel Art Gallery, Présente une exposition haute en couleurs, avec les oeuvres de Charles Carson, Grand Maître en Beaux-Arts.
Média: Journal
Nom: Miami's Community NewsPapers
22-02-2015   Charles Carson
Gala des Sommeliers de Paris, Invité d'Honneur, Le Grand Maître en Beaux-Arts Charles Carson - INVITÉ D'HONNEURI
Média: Site web
Nom: Bernard Loiseau
08-10-2014   Charles Carson
Le carsonisme à Paris. C’est une exposition haute en couleurs que propose ce mois-ci l’Espace Carpeaux avec les oeuvres de Charles Carson
Média: Autres
Nom: Le Parisien, France
17-09-2014   Charles Carson
Si l'on en croit Paul Claudel, "Il y a des yeux qui reçoivent la lumière et il y a des yeux qui la donnent." Ceux de Charles Carson font assurément partie de cette seconde catégorie.
Média: Autres
Nom: Éditorial, Courbevoie, région Parisienne
06-05-2014   Charles Carson
DICTIONNAIRE DES ONOMASTISMES QUÉBÉCOIS - Les mots issus de nos noms propres. Définition "CARSONISME"
Média: Autres
Nom: DICTIONNAIRE DES ONOMASTISMES QUÉBÉCOIS
30-04-2014   Charles Carson
En primeur : Un documentaire saisissant d'une heure sur Charles Carson. Les Experts - Art Contemporain .
Média: Autres
Nom: Documentaire - Vidéo
31-03-2014   Charles Carson
MAÎTRE CHARLES CARSON - FACEBOOK = "J'AIME"
Média: Site web
Nom: FACEBOOK
12-12-2013   Charles Carson
Prix Internationale d'Art Apollo, 14 décembre 2013,
Média: Autres
Nom: Italie
21-10-2013   Charles Carson
ATELIER CARSON À Paris 2013 - Le peintre des couleurs a trouvé son refuge
Média: Journal
Nom: LE PARISIEN - Plus d'un million de lecteur
25-08-2013   Charles Carson
Le Huffington Post - Les mouvements artistiques nés au Québec "Le Carsonisme"
Média: Autres
Nom: Le Huffington Post
18-03-2013   Charles Carson
International Honors Proferred on Charles Carson?
Média: Autres
Nom: Fine Art Magazine - New York, Spring 2013 - page 48 - 49
15-03-2013   Charles Carson
Attention aux imitations ! Un tableau original ? Par Caroline Bruens, Expert-conseil en marché de d'art.
Média: Autres
Nom: Journal Échos, Montréal
15-12-2012   Charles Carson
Featuring Charles CARSON - 35 YEARS OF CREATIVITY - 'A language all his own forever to be known as "Carsonism."
Média: Autres
Nom: Fine Art Magazine - Winter 2012 / 2013
10-12-2012   Charles Carson
Charles Carson - The Legacy of an Artistic Revolutionary - 35 years of creation
Média: Magazine
Nom: ARABELLA - CANADIAN ART
01-02-2012   Charles Carson
Le maître en beaux-arts, Charles Carson, remporte le Prix Vincent Van Gogh et le Prix du Général Guiseppe lors du Grand Gala de la XIIe édition en Italie.
Média: Journal
Nom: PAYS D'EN HAUT / LA VALLÉE
12-12-2011   Charles Carson
Renowned artist Charles Carson's creative ingenuity is showcased at the Calgary gallery
Média: Magazine
Nom: Lifestyler magazine, Calgary
12-12-2011   Charles Carson
Renowned artist Charles Carson's creative ingenuity is showcased at the Calgary gallery
Média: Magazine
Nom: Lifestyler Magazine
24-09-2011   Charles Carson
Rencontre avec ... Champlain Charest, médecin-restaurateur, collectionneur de vins, et d'Art. (Riopelle / Carson)
Média: Autres
Nom: SRVA - sur Youtube
01-09-2011   Charles Carson
Charles Carson ne cesse de cumuler les honneurs les plus prestigieux. Consacré maître par l’Académie Internationale des Beaux-Arts du Québec, figurant parmi les «Heroes of creativity» du magazine américain Fine Art qui lui consacre sa couverture 2009
Média: Magazine
Nom: Flèche Mag
01-06-2011   Charles Carson
Carson - L'avis des Experts - Un documentaire saisissant sur Charles Carson et son oeuvre - Bientôt
Média: Autres
Nom: Documentaire
27-05-2011   Charles Carson
L'ancienne église presbytérienne convertie en galerie d'art - Charles Carson, à titre de président d'honneur lors de l'inauguration officielle.
Média: Journal
Nom: Le Journal Saint-François
05-05-2011   Charles Carson
Charles CARSON choisi conseiller artistique de Drouot Cotation à Paris
Média: Journal
Nom: JOURNAL PAYS D'EN HAUT/LA VALLÉE
05-05-2011   Charles Carson
Des oeuvres de Dali, Riopelle, Carson et Pellan sur les murs de la Galerie St-André... - «L'artiste montréalais Charles Carson agissait comme l'invité et président d'honneur de cette ouverture.»
Média: Autres
Nom: Journal LE SOLEIL
07-03-2011   Charles Carson
Maître Charles Carson, conseiller artistique de Drouot Cotation des Artistes Modernes & Contemporains. Paris 2011
Média: Autres
Nom: Drouot Cotation des Artistes Modernes & Contemporains
01-02-2011   Charles Carson
Parcours Magazine - Charles Carson... La volonté de laisser sa trace... par Caroline Bruens, Présidente de l'Académie Internationale des Beaux-Arts du Québec
Média: Magazine
Nom: Parcours, Art & art de vivre numéro 71
15-12-2010   Charles Carson
«Charles Carson est probablement l’un des plus grands artistes vivants», a déclaré celui qui projette d’autres acquisitions au cours des prochains mois.
Média: Journal
Nom: Le journal de Joliette
13-10-2010   Charles Carson
La Galerie d'art Trudel ouvre ses portes! «Charles Carson sur le chemin de la postérité»
Média: Autres
Nom: Le Journal L'Image
26-08-2010   Charles Carson
Une fois de plus, une Farandole réussie... Le célèbre artiste multidisciplinaire Charles Carson et la présidente de la Farandole des arts Visuels de Sainte-Marguerite-du-Lac-Masson...
Média: Journal
Nom: PAYS D'EN HAUT /LAVALLÉE
01-08-2010   Charles Carson
Ville & Campagne - Spécial Provence - CHARLES CARSON SA VIE, SON OEUVRE
Média: Magazine
Nom: Ville & Campagne - Spécial Provence
12-12-2009   Charles Carson
Master Charles Carson, AIBAQ - Awards - «LEONARDO DA VINCI 2009 / MARTIN LUTHER KING 2009»
Média: Autres
Nom: Associazione Culturale 'Italia in Arte'
12-12-2009   Charles Carson
Maître Charles Carson, AIBAQ -Prix- «LEONARDO DA VINCI 2009 / MARTIN LUTHER KING 2009»
Média: Autres
Nom: Association culturel 'Italia in Arte'
10-11-2009   Charles Carson
Exposition - Maître CARSON - une valeur sûre...
Média: Journal
Nom: La Presse
02-11-2009   Charles Carson
Carson, a l'écart des modes et de la facilité...
Média: Magazine
Nom: Drouot-cotation, Paris
01-11-2009   Charles Carson
This is ' Carsonism...' - By Victor Forbes - Fine Art Magazine, USA
Média: Autres
Nom: Fine Art Magazine, USA
01-06-2009   Charles Carson
L'univers flamboyant de Charles Carson - Sacré Artiste de l'année 2009.
Média: Magazine
Nom: FLÈCHEMAG / Le magazine des Laurentides /No: 99
01-06-2009   Charles Carson
Charles Carson récompensé / Artiste de l'année 2009 / Gala Academia XXI
Média: Journal
Nom: Journal Échos de Montréal
21-05-2009   Charles Carson
Charles Carson intronisé «artiste de l'année 2009» - Gala Academia XXI au Musée des beaux-arts de Montréal.
Média: Journal
Nom: Le Journal de Prévost
17-05-2009   Charles Carson
Nouvel honneur pour le peintre Charles Carson - intronisé 'ARTISTE DE L'ANNÉE 2009'
Média: Journal
Nom: L'ÉCHO DU NORD
14-05-2009   Charles Carson
Charles Carson, invited to International Art Expo, under the themes of 'Imaginary journeys' organized by Trevisan International Art in Italy.
Média: Autres
Nom: Trevisan International Art in Italy.
01-03-2009   Charles Carson
Heroes of Creativity - Charles Carson - Fulfilling a Destiny - Carson to the ism
Média: Magazine
Nom: Fine Art Magazine - Spring 2009 - USA
26-02-2009   Charles Carson
Charles Carson expose au INTERNATIONAL ART-EXPO- NEW-YORK
Média: Autres
Nom: Art-Expo New-York 2009
26-02-2009   Charles Carson
Charles Carson exposes to the INTERNATIONAL ART-EXPO- in NEW YORK 2009
Média: Autres
Nom: Art-Expo New-York 2009
05-02-2009   Charles Carson
Discours du Maître Carson - Gala Academia XXI 2009 au Musée des beaux-arts de Montréal
Média: Autres
Nom: Gala Academia XXI 2009
10-01-2009   Charles Carson
Magazine Prestige - Maître Charles Carson intronisé «Artiste de l'année 2009» «Héros de la créativité»
Média: Magazine
Nom: Magazine Prestige, Oct. 2009
14-12-2008   Charles Carson
Carson, sa vie, son oeuvre, par Anne Richer
Média: Magazine
Nom: L'Art de Vivre - Amérocor Média
12-08-2008   Charles Carson
Charles Carson est avant tout un vrai battant...
Média: Autres
Nom: Académie internationale des beaux-arts du Québec
15-01-2008   Charles Carson
Carson...De purs moments de couleur -La Bible de l'Art Abstrait - Paris
Média: Autres
Nom: La Bible de l'Art Abstrait - Édition Société Iconofolio - Siège social, Paris
07-12-2007   Charles Carson
Charles Carson, nommé Maître académicien et Ambassadeur international au Gala Academia XXI
Média: Journal
Nom: Journal La Presse
01-12-2007   Charles Carson
"Charles Carson, the undisputed master of color and the creator of Carsonism.- London
Média: Autres
Nom: TRENDS - 121 Contemporary Artists - World of Art, London
13-11-2007   Charles Carson
«Charles Carson qui a fait les beaux jours de l'espace culturel en y laissant des souvenirs éblouissant»
Média: Autres
Nom: La Presse - Premier quotidien de la France Libérée
13-11-2007   Charles Carson
Charles Carson reçoit la médaille d'honneur de la ville de Sées
Média: Journal
Nom: Journal Ouest France,l?orne
13-11-2007   Charles Carson
Le phénomène Carson à Sées , Normandie, France
Média: Autres
Nom: L'orne hebdo
09-11-2007   Charles Carson
Charles Carson, médaillé d'honneur du mérite de la ville de Sées, Normandie, France.
Média: Autres
Nom: Maire-adjoint à la culture, France
08-11-2007   Charles Carson
Charles Carson restera dans les annales sagiennes, comme l'un des moments forts de l'art contemporain.
Média: Journal
Nom: Journal, Ouest France, Orne
06-11-2007   Charles Carson
Les peintures de Charles Carson - A Sées, Normandie, France
Média: Journal
Nom: Journal de l?Orne
03-11-2007   Charles Carson
Charles Carson, «MAÎTRE-ACADÉMICIEN» Musée des beaux-arts de Montréal - ACADEMIA XXI- 2007
Média: Autres
Nom: L'Académie International des Beaux-Arts du Québec
03-11-2007   Charles Carson
Musée des beaux-arts de Montréal - ACADEMIA XXI - 2007 - décerne à Charles Carson le Prix Ambassadeur International
Média: Autres
Nom: l'Académie Internationale des Beaux-Arts du Québec
01-11-2007   Charles Carson
Cotation Carson, Dizionario Enciclopedico Internazionale d'Arte Moderna e Contemporanea 2008
Média: Autres
Nom: Dizionario Enciclopedico Internazionale d'Arte Moderna e Contemporanea 2008
01-11-2007   Charles Carson
Charles Carson, invité d'honneur de la ville...
Média: Autres
Nom: Le Trait d'Union
14-10-2007   Charles Carson
Artiste peintre international Maître Charles Carson
Média: Télévision
Nom: Canal Vox(9), Qc. Canada
01-10-2007   Charles Carson
Anne Richer rencontre Charles Carson...
Média: Magazine
Nom: Magazine Prestige
01-10-2007   Charles Carson
Charles Carson créateur du carsonisme...une valeur sûre.
Média: Télévision
Nom: Canal Vox (9) JTA Vidéotron
26-09-2007   Charles Carson
Charles Carson au Salon International d'art Contemporain - à Paris
Média: Revue
Nom: Salon International d'art Contemporain
10-09-2007   Charles Carson
Anne Richer, Rencontre... Champlain Charest,médecin- restaurateur, et grand collectionneur d'art.
Média: Autres
Nom: Anne Richer,Journaliste a LA PRESSE depuis 1968.
01-09-2007   Charles Carson
Charles Carson, de purs moments de couleur?
Média: Magazine
Nom: Arts Actualités magazine, France
07-07-2007   Charles Carson
Prix «Oscar Della Cultura» Florence, Italie 2007
Média: Autres
Nom: Associazione Galleria Centro Storico
01-06-2007   Charles Carson
Un homme et sa passion
Média: Télévision
Nom: Reportage Télé
25-05-2007   Charles Carson
CHARLES CARSON MAÎTRE ACADEMICIEN DU VERBANO, ITALIE
Média: Autres
Nom: ACCADEMIA INTERNAZIONALE «GRECI-MARINO» ITALIE
20-05-2007   Charles Carson
Charles Carson... du Carsonisme en 3D !
Média: Site web
Nom: Académie internationale des Beaux-Arts du Québec
02-05-2007   Charles Carson
Carsonisms in person
Média: Journal
Nom: Brome Country News
01-05-2007   Charles Carson
Caisse Desjardins - Charles Carson, l' inspiration va au-delà des frontières
Média: Magazine
Nom: Magazine Appartenance - Caisse Desjardins
28-04-2007   Charles Carson
Charles Carson, invité d'honneur à la Galerie d'art Berick
Média: Journal
Nom: La voix de l'est
30-03-2007   Charles Carson
Dizionario Enciclopedico Internazionale d'Arte Moderna e Contemporanea - Italia - 2007
Média: Autres
Nom: Édition: Alba-Ferrera (Italie)
01-03-2007   Charles Carson
MASTERS OF TODAY - Charles Carson
Média: Autres
Nom: World of Art / WOA
01-03-2007   Charles Carson
Carson, Invité d'honneur, Salon de AEAF, Paris france
Média: Magazine
Nom: Univers des arts, Europe
28-02-2007   Charles Carson
CHARLES CARSON -PREMIO ALBA - ITALIA - 2007 - Galleria d'Arte Moderna «Alba» Ferrara
Média: Autres
Nom: Édition: Alba-Ferrera (Italie)
23-02-2007   Charles Carson
Un artiste de chez nous sur la scène internationale.
Média: Journal
Nom: Journal Accès
16-02-2007   Charles Carson
Une exposition qui interpelle
Média: Journal
Nom: LA PRESSE DE LA MANCHE - Premier quotidien de la France libérée
01-02-2007   Charles Carson
Grand maître. Canadien, Charles Carson est considéré par la critique comme un dès plus grands peintres contemporains actuels.
Média: Revue
Nom: Reflets de Tourlaville, France
30-01-2007   Charles Carson
Le créateur du carsonisme expose en mairie.
Média: Journal
Nom: JOURNAL OUEST FRANCE
29-01-2007   Charles Carson
Une oeuvre collective à créer
Média: Journal
Nom: LA PRESSE DE LA MANCHE
28-01-2007   Charles Carson
Charles Carson et ses toiles illuminent l'hôtel de ville
Média: Journal
Nom: LA PRESSE DE LA MANCHE
25-01-2007   Charles Carson
Charles Carson en mairie : un événement culturel
Média: Journal
Nom: LA PRESSE DE LA MANCHE - Premier quotidien de la France libérée
25-01-2007   Charles Carson
Charles Carson Expose à l'hôtel de ville - Le carsonisme
Média: Journal
Nom: Reflets de Tourlaville - BULLETIN D’INFORMATION MUNICIPAL
01-12-2006   Charles Carson
Rencontre avec...Charles Carson
Média: Magazine
Nom: PRESTIGE, Le magazine de Québec
01-12-2006   Charles Carson
DICTIONNAIRE DROUOT COTATION 2007, PARIS
Média: Autres
Nom: Drouot Cotation 13, rue Drouot, 75009 Paris
05-11-2006   Charles Carson
Grande rencontre des artistes de la Galerie d'art la Pièce d'art. Invité d'honneur Charles Carson.
Média: Site web
Nom: Galerie d'art la Pièce d'art
04-11-2006   Charles Carson
Charles Carson, médaillé d'or 2006 - Académie internationale des Beaux-Arts du Québec
Média: Autres
Nom: ACADÉMIA XXI
04-11-2006   Charles Carson
Charles Carson, médaillé d'or 2006 de l' AIBAQ
Média: Site web
Nom: Académie internationale des Beaux-Arts du Québec
01-11-2006   Charles Carson
Charles Carson... Une oeuvre vivante
Média: Journal
Nom: Le journal Échos centre-ville et vieux-Montréal
01-11-2006   Charles Carson
Charles Carson, peintre de renommée internationale, soirée Femme de tête et de Passion
Média: Magazine
Nom: Magazine Prestige
01-11-2006   Charles Carson
Il se révèle non seulement un génie créateur mais aussi et surtout un amoureux inconditionnel de la nature ...
Média: Site web
Nom: Art Track
25-10-2006   Charles Carson
Invité d'honneur, Charles Carson Grand Maître de l'Art Contemporain.
Média: Journal
Nom: LA VOIX DES MILLES-ILES
20-10-2006   Charles Carson
Charles Carson,Médaillé de l'Académie des Arts France
Média: Journal
Nom: Journal La Presse
01-09-2006   Charles Carson
Grande rencontre des artistes de la Galerie d'art la Pièce d'art
Média: Magazine
Nom: Magazin'art édition internationale,
01-09-2006   Charles Carson
DICTIONNAIRE DROUOT COTATION 2006, PARIS
Média: Autres
Nom: Drouot Cotation 13, rue Drouot, 75009 Paris
01-09-2006   Charles Carson
MAGAZIN'ART RÉPERTOIRE BIENNAL 2006
Média: Autres
Nom: ÉDITART INTERNATIONAL
01-09-2006   Charles Carson
GUIDE DE ROUSSAN 2007
Média: Autres
Nom: LES ÉDITIONS DE LA ROCHE
11-04-2006   Charles Carson
Rencontre avec un artiste de renommée internationale
Média: Journal
Nom: LA PRESSE DE LA MANCHE
11-04-2006   Charles Carson
Charles Carson est un peintre de renommée internationale au talent connu et reconnu.
Média: Site web
Nom: Galerie Le Castelet
20-01-2006   Charles Carson
De réputation internationale, le peintre Charles Carson s'établie dans la région
Média: Journal
Nom: Journal La Vallée
01-01-2006   Charles Carson
L'école du carsonime du peintre Charles Carson
Média: Site web
Nom: Art Majeur
01-01-2006   Charles Carson
«CARSONISME» Un coup de chapeau à ce peintre de talent... à surveiller!
Média: Site web
Nom: Planète Québec
04-12-2005   Charles Carson
Charles Carson, un peintre de renommée internationale, qui s'est vendu à 33 000 $ !!!
Média: Journal
Nom: Journal Le Soleil
23-11-2005   Charles Carson
Un peintre de renom emménage dans la région
Média: Journal
Nom: Le journal des Pays d'en Haut
25-10-2005   Charles Carson
Célébration donnée à l'occasion de la mise en candidature de l'artiste Charles Carson à l'académie internationale des Beaux-Arts du Québec
Média: Site web
Nom: Art Majeur
25-10-2005   Charles Carson
Célébration donnée à l'occasion de la mise en candidature de l'artiste Charles Carson
Média: Site web
Nom: LE BABILL'ART
02-10-2005   Charles Carson
L'art a pignon sur rue à Serez
Média: Autres
Nom: LA DÉPÊCHE
01-09-2005   Charles Carson
DICTIONNAIRE DROUOT COTATION 2005, PARIS
Média: Autres
Nom: Drouot Cotation 13, rue Drouot, 75009 Paris
01-09-2005   Charles Carson
Guide de Roussan, Édition 2006
Média: Autres
Nom: LES ÉDITIONS DE LA ROCHE
01-06-2005   Charles Carson
Charles Carson, son cheminement, ses découvertes, son audace et sa réussite!
Média: Magazine
Nom: Magazin'Art
01-04-2005   Charles Carson
Charles Carson, Maître de l'art contemporain
Média: Magazine
Nom: Magazin'art édition internationale
01-12-2004   Charles Carson
Charles Carson...deux approches à la fois distinctes et complémentaires.
Média: Magazine
Nom: Parcours, L'informateur des arts
01-12-2004   Charles Carson
Le Montréalais Charles Carson a inventé le «carsonisme»
Média: Magazine
Nom: MAGAZINE DÉCORATION CHEZ-SOI
01-09-2004   Charles Carson
Charles Carson un maître de la peinture contemporaine
Média: Journal
Nom: Magazin'art édition internationale
01-09-2004   Charles Carson
DICTIONNAIRE DROUOT COTATION 2004, PARIS
Média: Autres
Nom: Drouot Cotation 13, rue Drouot, 75009 Paris
01-09-2004   Charles Carson
MAGAZIN'ART RÉPERTOIRE BIENNAL DES ARTISTES CANADIENS EN GALERIES 2004
Média: Autres
Nom: ÉDITART INTERNATIONAL
01-09-2004   Charles Carson
Guide de Roussan, Édition 2005
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
01-09-2004   Charles Carson
ART PRICE LEADER MONDIAL DE L'INFORMATION SUR LE MARCHE DE L'ART
Média: Site web
Nom: ART PRICE
01-07-2004   Charles Carson
Charles Carson, Kara Art Silver Award Winners 2004
Média: Site web
Nom: Kara Art Silver Award
01-06-2004   Charles Carson
Createur du carsonisme / creator of carsonism
Média: Magazine
Nom: Magazin'art
01-06-2004   Charles Carson
L'artiste peintre Charles Carson était l'honneur sur les cimaises de la galerie Relais des Époques,
Média: Magazine
Nom: Magazine Le Québec des régions
15-05-2004   Charles Carson
Exposition SOLO Charles Carson Galerie Relais des Époques
Média: Journal
Nom: Journal de Montréal
01-05-2004   Charles Carson
Charles Carson un maître dans son domaine
Média: Journal
Nom: Échos Vieux-Montréal et centre ville
01-05-2004   Charles Carson
L’artiste peintre Charles Carson était l’honneur sur les cimaises de la galerie Relais des Époques
Média: Magazine
Nom: Magazine virtuel mensuel, Le Québec des région
01-04-2004   Charles Carson
Charles Carson un maître dans son domaine
Média: Magazine
Nom: Magazin'art édition internationale
01-01-2004   Charles Carson
Charles Carson, unanimement reconnu pour son sens inné des couleurs...
Média: Site web
Nom: Les galeries de la famille Beauchamp
01-12-2003   Charles Carson
Charles Carson, Gold Medalist at the Salon International des Beaux-Arts de Montréal
Média: Magazine
Nom: ART NEWS
01-11-2003   Charles Carson
Figure montante du marché de la peinture canadienne Créateur du «Carsonisme»
Média: Site web
Nom: Drouot cotation
01-09-2003   Charles Carson
LES GENS QUI FONT L'ÉVÈNEMENT
Média: Magazine
Nom: Magazin'art édition internationale
01-09-2003   Charles Carson
Guide de Roussan, Édition 2004
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
01-09-2003   Charles Carson
Artiste confirmé et très apprécié, Charles Carson a adopté deux approches distinctes et complémentaires.
Média: Site web
Nom: Galerie d'art Richelieu
14-05-2003   Charles Carson
Charles Carson, une fête pour l'oeil
Média: Journal
Nom: LA DÉPÊCHE
15-04-2003   Charles Carson
MENTIONS D'HONNEUR LORS DE LA NEUVIÈME ÉDITION DES MIMS D'OR 2003
Média: Revue
Nom: Revue Parcours
21-02-2003   Charles Carson
Award 2003 attributed to Charles Carson
Média: Site web
Nom: Art majeur
02-12-2002   Charles Carson
Rétrospective Charles Carson
Média: Journal
Nom: Journal Voir
01-12-2002   Charles Carson
Charles Carson, Figure montante du marché de la peinture canadienne
Média: Magazine
Nom: Magazin'art édition internationale
20-11-2002   Charles Carson
« Carsonism » - C'est le dernier cri at Galerie Richelieu
Média: Journal
Nom: NEWSPAPER SUBERBAN
01-10-2002   Charles Carson
Charles Carson, une expérience picturale authentique
Média: Revue
Nom: Art-Média
20-09-2002   Charles Carson
Charles Carson Médaillé d'or du Salon international des Beaux art de Montréal
Média: Journal
Nom: programme info culture
20-09-2002   Charles Carson
Reportage télévisé l'explorateur urbain Par Dominic Arpin, Nouvelles TVA, Qc Canada
Média: Télévision
Nom: Nouvelles TVA
20-09-2002   Charles Carson
Charles Carson Médaillé d'or du Salon international des Beaux-Arts de Montréal (automne 2002).
Média: Autres
Nom: Saibam
01-09-2002   Charles Carson
Médaillé d'or - Salon d'automne des beaux de Montréal
Média: Télévision
Nom: Nouvelles TVA - L'explorateur Urbain
01-09-2002   Charles Carson
MAGAZIN'ART RÉPERTOIRE BIENNAL 2002
Média: Autres
Nom: ÉDITART INTERNATIONAL
01-03-2002   Charles Carson
Charles Carson, Creator of carsonism
Média: Site web
Nom: Arts Québec
01-09-2001   Charles Carson
Un artiste d'un rare talent...
Média: Autres
Nom: Guide de Roussan
01-09-2001   Charles Carson
Charles Carson - Avis des experts - Édition Guide Roussan 2002
Média: Autres
Nom: Édition Guide Roussan
01-09-2001   Charles Carson
Charles Carson, Une valeur sûre! - GUIDE DE ROUSSAN 2001
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
05-11-2000   Charles Carson
Reportage télévisé sur Charles Carson Galeria Cartagena Cafe, America del Sur, Colombia
Média: Télévision
Nom: Télé Caribe
22-11-1999   Charles Carson
Reportage télévisé Télé Caribe, Programme' El noticiero, by Josee David Marn, «El carsonismo»
Média: Télévision
Nom: Télé Caribe
18-11-1999   Charles Carson
Reportage télévisé, Télé Caribe Programme Ventana Par Humberto Mendieta «El carsonismo»
Média: Télévision
Nom: Télé Caribe
01-09-1999   Charles Carson
GUIDE DE ROUSSAN 2000
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
24-02-1999   Charles Carson
Mentions d'honneur, Festival de arte del Caribe, Colombia
Média: Journal
Nom: El Mundo
22-02-1999   Charles Carson
Magnifica la exposición del artista Charles Carson...
Média: Journal
Nom: Periodico Gente
10-02-1999   Charles Carson
Hotel Dann Carlton, el artista canadiense Charles Carson presenta su nueva obra.
Média: Journal
Nom: El Colombiano
28-12-1998   Charles Carson
Arte en el Clautro de Santo Domingo
Média: Journal
Nom: El Universal
01-09-1998   Charles Carson
GUIDE DE ROUSSAN 1999
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
20-07-1998   Charles Carson
Adiós a los estereotipos
Média: Journal
Nom: El Colombiano
25-06-1998   Charles Carson
Estilo único en la pintura / Innovación en abstracto Charles Carson y sus composición en yuxtaposición.
Média: Journal
Nom: El Mundo
22-06-1998   Charles Carson
Reportage télévisé sur Charles carson Télé Antioquia, Programme Vistazo, «El carsonismo»
Média: Télévision
Nom: Télé Antioquia
20-06-1998   Charles Carson
Reportage télévisé sur Charles Carson Galerie Arte Autopista Médellin Colombie «El carsonismo»
Média: Télévision
Nom: Télé Antioquia
18-06-1998   Charles Carson
Reportage télévisé Télé Antioquia, Programme Vistazo, Medellin, Colombia «El carsonismo»
Média: Télévision
Nom: Télé antioquia 13
15-06-1998   Charles Carson
Reportage télévisé sur Charles Carson, Télé Antioquia Programme Fashion moda «El carsonismo»
Média: Télévision
Nom: Télé Antioquia
14-01-1998   Charles Carson
Un caballo de mar en el aeropuerto
Média: Journal
Nom: EL UNIVERSAL
26-12-1997   Charles Carson
International Painter Charles Carson, Freshness and liveliness of the Palette
Média: Journal
Nom: The Colombian Post, Miami
18-09-1997   Charles Carson
HOMENAJE DEL MAESTRO CHARLES CARSON
Média: Journal
Nom: EL HERALDO
01-09-1997   Charles Carson
GUIDE DE ROUSSAN 1998
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
01-09-1997   Charles Carson
A Dictionary of Canadian Artists
Média: Autres
Nom: By Colin S. Macdonald
25-04-1997   Charles Carson
CARSONISMO Lucha ecológica a través del color
Média: Journal
Nom: El Universal
24-04-1997   Charles Carson
Carson en la Galeria Arte en los exécutivos.
Média: Journal
Nom: El Universal
01-01-1997   Charles Carson
Charles Carson est l'inventeur d'une nouvelle méthode de peinture...
Média: Autres
Nom: Agenda d'art Utilus
01-09-1996   Charles Carson
GUIDE DE ROUSSAN 1997
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
01-09-1996   Charles Carson
GUIDE DE ROUSSAN 1996
Média: Autres
Nom: Éditeur MARC DE ROUSSAN
01-01-1996   Charles Carson
Créateur d'une fascinante méthode surnommée le «carsonisme»
Média: Autres
Nom: Édition Sogidès, division Utilis
15-10-1995   Charles Carson
SOBRADOS DE COLOR Charles Carson, Una propuesta de color
Média: Journal
Nom: El Universal
05-10-1995   Charles Carson
Expone Charles Carson en Cartagena
Média: Journal
Nom: El Universal
01-01-1995   Charles Carson
Peintres québécois contemporains
Média: Autres
Nom: Édition Utilus
01-09-1994   Charles Carson
GUIDE DE ROUSSAN 1995
Média: Autres
Nom: Éditeur JACQUES DE ROUSSAN
01-09-1994   Charles Carson
HUMOUR, COULEUR ET VERBE...
Média: Autres
Nom: Édition Poly-Inter
10-03-1994   Charles Carson
El poder de los colores del Maestro Carson...
Média: Journal
Nom: El Heraldo
15-02-1994   Charles Carson
Charles Carson, invitado especial en la muestra de Arte del Caribe.
Média: Journal
Nom: El Heraldo
29-01-1994   Charles Carson
Las luces del planeta... Carson, capitán de los colores del planeta...
Média: Journal
Nom: El Universal
01-01-1994   Charles Carson
Charles Carson préfère de loin laisser parler ses tableaux.
Média: Autres
Nom: Éditions de l'Homme « Utilis »
01-11-1993   Charles Carson
Le subliminisme de Charles Carson
Média: Autres
Nom: Édition de Roussan
01-09-1993   Charles Carson
Rapport d'analyse sur l'oeuvre de Charles Carson une découverte...Le carsonisme.
Média: Autres
Nom: Iconia par Guy Robert
01-09-1993   Charles Carson
GUIDE VALLÉE 1993 - Marché de l'art
Média: Autres
Nom: ÉDITEUR: Félix Vallée
31-07-1993   Charles Carson
Charles Carson au Musée régional Vaudreuil-Soulanges
Média: Autres
Nom: Journal de Montréal
01-04-1993   Charles Carson
CARSON
Média: Autres
Nom: Publication Iconia
01-10-1992   Charles Carson
Un avis éclairé - Étude de l'oeuvre de Charles Carson un nouvelle isme...
Média: Autres
Nom: Éditions Poly-Inter
01-09-1992   Charles Carson
Les secrets du marché de la peinture
Média: Autres
Nom: Édition POLY-INTER
01-09-1991   Charles Carson
Peinture, culture et réalités québécoises
Média: Autres
Nom: Éditions La Palette

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